PMA Faculty have work in the Cress Gallery 2. Each work explores individual research/motivations and integrates some form of media and/or technology.
Lewis' work "Skylight
(nonfiction)"
acts
as
an
architectural
feature
and
extension
of
the gallery.
Utilizing
a
live
video
feed
from
a
camera
placed
on
the
roof
of
the
gallery,
this
work
contains
a
digitized
experience
of
the
natural
sky
in
real
time.
The
screen
contents
continue
to
evolve
with
the
sky;
providing
a
mediated
view
of
what
is
beyond
the
gallery.
Through
our
connection
to
digital
and
natural
environments,
along
with
the
relationship
between
the
actual
and
representational,
our
awareness
of
each
is
questioned.
Trowbridge's Arduino controlled work, A Message Never Received, transmits the words "A Message Never Received," letter by letter, in American Standard Code for Information Interchange (ASCII) code, represented in 7-bit binary with an additional bit to represent the end of each message. The message is transmitted via eight laser diodes across space and onto a front-surface mirror that reflects it. The piece occurs at an intersection of giving up on all communication and becoming open to the possibilities that surrender might offer. Is it possible to form a community during the extinction of a civilization? As one stands against intersubjectivity, shared cognition, or any collective basis for meaning, purpose and communication, it is not a given that one must stand alone. Whatever happens... HOW TO FIND EACH OTHER?
Westbrook's project "Product Placements," is an interactive wiimote controlled moving image sequence intersecting non-nutritional food habits with drive-by natural worlds. It is a formula for delightful nothingness, and presents a spectacle of branded presence that communicates using text and visual language, but has nothing to say.
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